Saturday, May 23, 2015

John Dowlan Interviewed by Larry McCormick

Thank you Buglers' Hall of Famer Frank Dorritie (with whom I marched (snare) in the 1967 Long Island Sunrisers Drum & Bugle Corps) for the link to this video interview (below) of rudimental drumming legend John Dowlan, by another legend Larry McCormick (including clips of even more legends from the USAF D&B Corps).

One topic discussed is back-sticking.  We have two earlier posts to this blog about back-sticking.  The first post focused on John Dowlan to whom Joe Marrella (also on the video) attributes back-sticking as early as 1938, although it took a couple of decades for before a drumline (USAF) put it into play: http://www.fielddrums.com/2008/12/backsticking-drumming-technique.html.

The second post focused on A. R. Carrington, a field drum champion of the 1870's,who appears to have been doing a number of stick tricks, including something that appears to have been back-sticking: http://blog.fielddrums.com/2009/01/was-carrington-back-sticking-in-1870.html.

I am certain that Dowlan came up with the technique entirely independently, and to him much respect and admiration are due for a whole host of reasons.  Hell, his story (watch the YouTube video) about being watched in 1951 (I was 4 years of age then and hadn't yet mastered ratamacues*) by Perrilloux prior to being judged by Pratt.  Well, that's the real deal.  Perrilloux was not easy to please, to say the least.

And thanks go to Larry McCormick for his efforts to record and preserve drumming history.


----------
My father, Jacob J. Mirsky, 1939 NYS VFW Jr. snare drum champion, Bronx Post 95 Sons of Veterans (of WWI) FD&B Corps, put 3S sticks in my little hands at age 3 or 4 (around the same time John Dowlan was winning national championships), stood behind me, wrapped his hands around mine and whipped out a straight 2/4 and 6/8, then a few ratamacues.  My inner organs vibrated and I was hooked.  His ratamacues had a strange affectation which I've since seen on an old film of a veteran drummer from the Civil War.  His left hand would flip outward on the last beat.  And his long roll wasn't up and down entirely.  It rolled out from underneath as if his hands were constantly sweeping air away from the drum head.  He was my first teacher - he and J. Burns Moore of course via his instructional book "The Art of Drumming".

Tuesday, April 21, 2015

Questions Raised About an Old Double-Tension Bass Drum

A READER WROTE:

Hi. My name is Mike and I have a drum similar to the one you have posted in the link below (http://blog.fielddrums.com/2009/07/from-muleskinners-photo-gallery-big.html). I have attached some pictures. Can you help me identify it? There are no makers marks or labels anywhere.

It looks like it was a rope tension drum originally. Any idea what it might be worth?

http://blog.fielddrums.com/2009/07/from-muleskinners-photo-gallery-big.html

Thanks!

Mike 



































FD:

Mike,

Thanks for your email.

***
What are the dimensions?

The paintings appear relatively new.  The holes in the counterhoops suggest that they were part of a rope tensioning system.

The tensioning hardware might provide some clues.

Can you get photos of the interior?

Thanks.

Ellis


MIKE'S RESPONSE:

I haven't seen any scratches on the shell which makes me think the shell was painted when the tension hardware was added. There are holes in both hoops although some are filled in with wood plugs.

Both hoops are made of the same wood and seem to be the same age.

Thanks for your help so far.

What does the tack seem tell us about the age? Do you know if the drum is of an American origin? 


FD:

Mike,

     Prior to about 1860 or so, steambent drum shells had to be held together by tacks because the glues were not sufficiently developed to hold the overlapping portions of the bent drum shell together.

     So the presence of tacks is evidence (not necessarily irrefutable proof) that the shell was manufactured prior to approximately 1860.


MIKE'S RESPONSE:

Would there be a way to prove it's age? Any idea of its value today?


FD:

As to proving a date of manufacture, no, not that I am aware of.  My guess is that the drum in probably 19th century.  As far as value, probably not much of a market for the drum.  A few hundred dollars maybe.  The demand for bass drums is very small.  And 32” diameter bass drums have an even smaller demand.  They’re just too big to fit comfortably into most collector’s usually limited display space.  If you’re interested in selling the drum, you might consider eBay.  I’ve bought many drums on eBay.  You could try auction houses, but without substantiated provenance, I don’t think that there will be much interest.  Also, the painting, as I said, looks too fresh which causes me to suspect it’s a relatively recent paint job.  See some of the authentic mid-19th century emblazonments.  They look old, worn, washed out colors.  By contrast, your drum looks bright, as if it had been painting last week.

Also, the hole (see below) is perpendicular to the surface (or radial).  Rope holes would have been at an angle (or would exhibit wear at an angle).  It looks like there is a slight discoloration below the hole in the photo below.  That could be wear or possibly from foot hardware (where the drum might have had a device attached to keep it from moving on the floor if the drum was used as a bass drum in an early drum kit).

How many holes are in the hoops?  Are there about 10 or 12 holes in each counterhoop?
Also, since the eagle is aligned vertically perhaps it was meant to be seen from the head side of the drum rather than from a radial position.  That would be consistent with the drum having been used as part of a drum kit and painted that way for that purpose.

A drum that size would have been used as a bass drum in a marching band or drum corps to provide the downbeat and keep soldiers in step while marching.  Or it could have been part of a drum kit.

See, e.g., this single tension bass drum from the 1920’s, as well as a 14x28” Ludwig brand double tension bass drum from the same period, and a 1930’s Slingerland bass drum with similar hardware to yours.

product 081023553102 Vintage Ludwig 14x28" Bass Drum 1920s **WoW**
And see this relatively new custom dixieland jazz band drum:

     Are the tension rods perfectly evenly spaced around the drum shell?  If not, that could be evidence of after-market installation.

     Bottom line: Without actually seeing the drum, my sense is that the shell and hoops could be mid-19th century but the tensioning system is early 20th century.  The paint job – who know?  My guess is that it’s relatively recent.

     I’ve copied Lee Vinson on this reply.  He’s a knowledgable drum collector/historian.  He might have some ideas.  Also, I’m copying him on our prior email exchanges.

     Best,

     Ellis


LEE VINSON:

Thank you for including me in this conversation. Unless I hear from Mike, I don't know that I'll chime in as you've been quite thorough already and I agree with all of your points.

I do wonder who did the conversion. The tube lugs in the blurry pics look Stone-ish to me. 

Perhaps someone sourced their parts there or maybe even Stone & Son was behind the work themselves?!? Seems like George Burt and his son would have been more reverent and restored such a drum rather than converted it for modern purposes, but who knows? It's only a thought. Certainly nothing conclusive but it's fun to daydream about!

Hope all is well with you.

    -Lee


FD:
Mike,
I hate to be a nuisance but if you would send a lot more pics, in focus, Lee and I would greatly appreciate it.  Many of the pics you sent were out of focus unfortunately.  iPhone or other smart phone pics without flash will be fine.  You have a very interesting drum and we'd like to get to the bottom of the mystery.
By the way, W. Lee Vinson is also looking at the pics.  Lee is a collector/historian/performing percussion artist with his own website.  See http://leevinson.com and see his collection at http://leevinson.com/gear.html.
I'd also like to send the pics to others (including performing percussionists with the Nashville Symphony - Sam Bacco; the Orlando Symphony - Mark Goldberg; and the Huntsville Symphony Orchestra - Terry Cornett, and other drum restorers - George Kubicek, and others) but I'd like to send them really good photos.  The best way is for me to post the pics on my website.
So please send a lot of good in-focus pics so I can broaden the base of input concerning your drum.
Thank you.
Best,
Ellis

MIKE'S RESPONSE:
Hi Guys,
Here are some more photos. I was able to get a couple of photos of the inside and you can see the grain and tool markings.
Let me know if you need a pic of anything specific.
Cheers
Mike

LEE VINSON:

Hi Mike and Ellis,
Thank you for forwarding the pictures along. It's an interesting OLD drum with stories to tell, but I can't say that I any further insights beyond what Ellis has already offered up. Perhaps some of the other collectors out there with more expertise in 19th century rope drums would recognize something distinctive about the shell which could narrow things down a little further as far as date and origin are concerned, but I'm not seeing much to go from.
Thank you again for including me in the conversation! Hope all is well.
    -Lee

MIKE'S RESPONSE:
Ellis,
I do not see any evidence of anything being clamped to either rim. I do remember the drum was being used as a coffee table when I first discovered in a cottage in Northern Ontario.
The mark is 6.5 inches wide and looks more like some type of stain on the skin.
Mike

Friday, April 17, 2015

A Unique Drum Kit with a Marching Drum Bent

A reader wrote:

I really enjoy your blog. I thought you might find this interesting, although my drums are not as old or rare as the ones you normal write about.

My drum set was inspired by Fred Young of the Kentucky Headhunters. I think his set is made up of single and double tension Ludwigs.

I prefer single tension tuning because it is easier to achieve the sound I like. And it looks unique. I can have any number of rods on any drum, regardless of eyelets. Anyway, enjoy.

26x14 Ludwig - 20s  refinished

13x8 Leedy 20s-40s  refinished. Actually a Ludwig, but I like the Leedy logo.

14x10 Slingerland - 40s  refinished

16x10 Slingerland - 30s  original paint



It took me several years to find the right drums. I had to do it on a budget, so I bought drums that needed repair or restoration. The decals were a lot of fun to research and reconstruct. I have some images of the drums before I restoration, if you'd like to see them. The only drum that was in good condition is the blue Slingerland. 

I have plans to paint a design on the front bass head. It is inspired by old marching band designs. The colors closely match my blue snare, and being that my family has a long military history, I thought the American Legion was a fitting choice. Don't know when I'll get around to painting it. Hopefully this summer.


Is This a Confederate Civil War Drum?

Is This a Confederate Civil War Drum?

A writer asks:

Please take a look at the attached photo. It is a display piece including the drum (marked DEO VINDICE[*] and C S A in a circular "logo" on the side. Has leather "tighteners". There are faint pencil inscriptions on the drum head, hard to make out. A name and unit perhaps. It looks old and someone put this display together as a commemorative but hard to date it. There is what appears to be a British pre-war sword, drumsticks, and old fife, etc. I am most interested in the drum. This is at a local auction house and the consignor does have some very old items (i.e. 1880's sewing machine, musical instruments). 

I am wondering how likely it is that a genuine confederate drum is "laying around" in this display piece. Any insight is welcome. Thanks.

Your comments are welcome.


*  Deo Vindice (English: Under God, our Vindicator), was the motto of the Confederate States of America (CSA), and was engraved on its official seal.


Friday, March 6, 2015

Charles Hubbard, Drum Emblazonment Artist

Charles Hubbard is credited with painting the emblazonments on several drums discussed in this blog:
But who was Charles Hubbard?  (Images from Wikimedia.org)








The National Lancers with the Reviewing Officers on the Boston Common. 1837. Charles Hubbard, American, 1801–1876. Lithograph, hand-colored. Museum of Fine Arts, Boston.



And there is an article on Wikipedia.